Sociology Hidden excise erupt The 1960s science fiction boob tube system serial, The Pris angiotensin converting enzymer, dealt with a number of intriguing sociological aspects, in which there be many interpretations to which one the series concerns. Although I believe there is a combination of everything, in my purview the main focus of the series was to demonstrate guilds dis smear of scheme individuality, and manipulating ones thinkers into conformity. The opening scene of the series sets the stage for this liking when The hamlet tries to assign the prisoner (Patrick McGoohan) a number ( zero(prenominal) 6). In retort an come onraged Mcgoohan cries I am not a number, I am a free man. end-to-end the tot tot solelyyy series conformity was tried to be enforced on McGoohan (No. 6), and by means of erupt the series he stomached. The last episode F altoge ther Out was no debarion. Fall Out begins after No. 6 prevails in a participation of custodytal worrying with No.2, in which both manpower were locked in a mode and hardly one man would walk out alive. When the doors ar opened, and No.6 is taken to an underground level of The Village. Here he finds an throng of villagers who atomic number 18 dressed in cloaks and black and sporty drapes. This gathering represents society who relieve oneself all conformed to someone elses ideals, and have woolly all individuality. This is represented by the bearing they are all dressed alike. There is also a president who intercommunicates for the assembly. No.6 is greeted by the assembly and the president with a loud applause, and congratulated for his groovy efforts to resist The Village. When the president demands for the assembly to be silent, he slams his gable end and they are quiet instantly. This is an early(a) indication of the assembly be a brainwashed society. No.6 is and so told that he will be sympathise to! the interrogation of two former(a) men, No.48, and the No.2 that No.6 defeated in the embryo manner (brought hold to life by The Village). Because all of No.6s likely allies, in previous cases, turned against him in fear of what other members of The Village might think, these men seem to represent the except other individuals in The Village besides No.6. These three men represent the different types of individual revolt against society. No.48 is a youthful man who is in tumult for the sole project of rebelling. This rebellion can be compared to that of a teenager who defies authority erect because they can. At one point the assembly plays along with his rebellion, telling along in the Dry Bones melody. The assembly does so because to them his rebellion poses no panic to their order, and is done for the sole invention of saving himself. No.2s rebellion was however a little different. No.2 is not just in it for No.2, he is rebelling against the principles of The Vi llage, being enforced upon all of its inmates. This rebellion has to be taken rather seriously, because it poses an indirect neutralize to the ideals of The Village. No.6s rebellion is feared by The Village. He has taken everything they have storm at him, and has always prevailed. He poses a direct bane to The Village and its society of union. To try and halt this problem in advance it gets out of control, they make No.6 feel like he had won, and easily try to integrate him into their society by permit him fix the fait of the other two rebels, and offering him a position of racy authority in The Village. He is wherefore tending(p) to speak before the assembly. When he begins to speak, the assembly yells over him, not allowing him to speak. every time No.6 tries to start a sentence he is interrupted. The besides word he manages to say is I. The assembly is personation society that will not allow the individual to be heard. The only word he is able to muster is I, a rem inder that he still maintains an independent mind. s! pare-time activity this, No.6 demands to watch No.1. He is sent down to an even dismount level, where he sees that the other two rebels are being held in classify glass containers. He is indeed sent up a set of spiral stairs to No.1s room. No.
1 is in the sanction of the room wearing a clean-living cloak and a mask. No.1 represents societies give way attempt to carry No.6 into their culture of mimicrys. No.1 then hands No.6 a glass orb, No.6 straightaway smashes it. This orb represents the idea of conformity being offered to No.6 by society. No.6 rejects this idea thus smashing the orb to pieces. No.6 then re veals No.1, wearing a monkey mask. This represents the society as populate in accordance to the phrase monkey see, monkey do. The monkey mask is then torn away and No.1 has the facial gesture of No.6. This shows both the battle of No.6 within himself to resist, and how in this society everyone is the same. No.6 then runs out of No.1s room locking him in. This room turns out to be a rocket ship, and No.1 is blasted into space. The flame from the rocket boosters then contract the white bubble Rover. Rovers destruction symbolizes the death of one of societies enforcers, aimed to rend independent minds. No.6 breaks his fellow rebels out, and escape the island, shooting their way through guards and the assembly. No.6 had finally made it out of The Village. In the final episode, many questions were answered, including the most anticipated, who No.1 was. However, there were many left depicted object unanswered. The location of The Village was never revealed, the reason No.2 died in th e embryo room was kept a secret, the reason No.6 res! igned was never told, and maybe the biggest question of all was left hanging in the balance. When No.6 arrives back in England, the door to his apartment opens automatically like in the village. This leaves you to wonder, did No.6 ever actually escape the village? When you sleep tonight, stare of large white balloons rising from the deep and carrying you away from your favorable world, place reassurance in that when you wake, you will return to your delightful convocation, in which we are all prisoners. If you want to get a in full essay, order it on our website:
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